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Scales, Keys & Modes

Dorian Mode

Pronounced DOR-ee-un

Definition

The Dorian mode is a minor-sounding scale with a raised 6th: the white keys from D to D. Its step pattern is whole, half, whole, whole, whole, half, whole.

The Dorian mode is the white keys from D to D: D E F G A B C D. It has a minor 3rd (F), so it sounds minor, but its 6th degree (B) is a half step higher than in the natural minor scale, which has B♭. That one note gives Dorian its color: darker than major, but warmer and less mournful than natural minor.

Two treble-clef examples in 4/4. D Dorian: quarter notes D E F G A B C D, numbered 1, 2, flat 3, 4, 5, 6, flat 7, 8. C Dorian: C D E-flat F G A B-flat C, with the same numbers. Curved lines join degrees 2–3 and 6–7.
D Dorian on the white keys and C Dorian, numbered against the major scale. The 6th is not lowered: B in D Dorian, A in C Dorian. The curved lines join the half steps, 2–3 and 6–7.

The step pattern

W – H – W – W – W – H – W

The half steps fall between degrees 2 and 3 (E–F) and between 6 and 7 (B–C). Measured against the major scale, Dorian is 1 2 ♭3 4 5 6 ♭7: natural minor with a raised 6th, or major with a lowered 3rd and 7th.

The Dorian sound in chords

The raised 6th shows up most clearly in the chord on the 4th degree. In D natural minor that chord is G minor (G B♭ D); in D Dorian it is G major (G B D). Moving from the minor tonic chord to a major IV, Dm to G and back, is the signature Dorian sound, heard in many funk, rock and jazz grooves.

Grand staff in 4/4, three bars. Half-note chords D minor (D F A) and G major (D G B) over bass notes D and G, twice, then a whole-note D minor chord. Chord symbols Dm and G above; i and IV below the treble staff.
A Dorian vamp in D: D minor (i) to G major (IV) and back. The B in the G chord is Dorian's raised 6th; in D natural minor it would be B♭ and the chord would be G minor.

Where you hear it

Miles Davis's "So What", from the 1959 album Kind of Blue, is a famous example: its A sections sit on D Dorian, and its bridge moves up a half step to E♭ Dorian. Dorian also turns up in many folk tunes from the British Isles and in rock and pop that wants a minor mood without heaviness. In jazz, Dorian is the standard chord-scale for a minor seventh chord working as ii, such as Dm7 in C major.

D Dorian: the white keys from D to D. B (coral) is the raised 6th that separates Dorian from D natural minor.

Finding Dorian in any key

Dorian starts on the 2nd degree of a major scale. To find any Dorian mode, go down a whole step to its parent major key and use that key's notes: E Dorian uses the notes of D major (two sharps), G Dorian those of F major (one flat), and C Dorian those of B♭ major (two flats), C D E♭ F G A B♭ C.

The other route: take the natural minor scale on the same note and raise its 6th. Use whichever is quicker for the key in front of you. Hear the Changed Degree: Modal Pairs and One Home Note, One Changed Degree train you to hear Dorian and natural minor side by side.

Common questions

What is the difference between Dorian and natural minor?

One note: the 6th degree. Dorian's 6th is a half step higher (B in D Dorian, B♭ in D natural minor), which makes the chord on the 4th degree major instead of minor.

What key signature does D Dorian use?

None. D Dorian uses the notes of C major, so it is usually written with no sharps or flats, even though D is home.

Practice it: free worksheets